Collage by Adeline Chum, Jules Kleitman, Aditi Mangesh Shetye
With lead speculators Dan Taeyoung and Dr. Elizabeth Hénaff
What might it feel like to live in New York City after fossil fuels?
Fossil energy, like coal, oil and gas will end eventually. Coal rolling and the renewed celebration of excessive fossil fuel consumption have been merely “petromelancholic” rebound effects… This was the backdrop for Alexander Klose and Chris Woebken’s ongoing research project on the histories and afterlives of petromodernity.
How do we want to live in a post-fossil future? How and with whom will we develop new kinships after the social bonds connected to the resource economy and the exuberant promises of our ‘Western Way of Life’ are untied? Will we actively delve into a world of living materials and microbiological entanglements? Will we get beyond racism and patriarchy? Will we cease to privately own land?
Through narrative techniques and design futures methods a series of bespoke design interventions and immersive installations transformed 1014 into a hyper-reality testing environment. Using guided speculative role play and co-created moments of immersion, participants are encouraged to experiment with new values and beliefs that might emerge in a post-petro world. The scenarios and installations were developed in collaboration with an architecture course at Columbia Graduate School of Architecture, Planning and Preservation, led by participatory futures practitioner Chris Woebken in partnership with cultural researcher Alexander Klose.
The idea of precognition: Being neither driven by big corporations nor by governments, the precognition process takes up the project of working with and on futures in an explicitly non-technocratic, experimental way. It avoids statistics-based "scientific" methodologies. Instead, it relies on collectively crafted visions and material-based artifacts and embodied roleplay. An archeology of the fossil presence: surveying infrastructures, collecting images and narratives that at the same time manifest all kinds of afterlives and hint to possible escape routes.
Dan Taeyoung is a learner, facilitator, spatial designer, and technologist. His practice involves around collaborating to create architectural spaces and social collectives that embody how we might want to live together, as well as researching design and social tools that change the way we work together. He teaches at Columbia University GSAPP and NYU IDM; is a founding member of Soft Surplus, a co-founder of Prime Produce, a guild for social good, the NYC REIC, an real estate investment cooperative working towards anti-displacement and community land ownership.
Dr. Elizabeth Hénaff is a computational biologist with an art practice. Her academic trajectory started with a Bachelors in Computer Science, followed by a Master’s in Plant Biology (both from UT Austin) and a PhD in Bioinformatics from the University of Barcelona. At the center of her work is a fascination with the way living beings interact with their environment. This inquiry has produced a body of work that ranges from scientific articles in peer-reviewed journals, to projects with landscape architects, to working as an artist in environments from SVA to the MIT Media Lab. She has made contributions to understanding how plants respond to the force of gravity, how genome structure changes in response to stress, and most recently has turned her attention to the ubiquitous and invisible microbial component of our environment. She currently holds an Assistant Professor position in the Technology, Culture and Society department at the NYU Tandon School of Engineering in New York City.
Installations by:
Tashania Akemah, Adeline Chum, Ethan Davis, Jules Kleitman, Yingjie Liu, Brianna Love, Gloria Mah, Camille Newton, Aditi Mangesh Shetye, Kaeli Streeter, Carmen Yu.
Film by:
Christoph Girardet
This project is produced in collaboration between:
Alexander Klose is a cultural researcher, Office for Precarious Concepts and Undisciplinary Research, Berlin, Germany and member of the research collective Beauty of Oil, Berlin/Vienna.
Chris Woebken, experimental designer, co-founder of the participatory futures practice the Extrapolation Factory, Adjunct Assistant Prof. at Columbia Graduate School of Architecture, Planning and Preservation.
Commissioned by 1014, New York City, Goethe Institute New York City and Popup Goethe Institute Houston.